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The story
Juice=Juice, a group under Hello! Project, saw its profile shoot up in 2024 thanks to the hit song “Moré! Mi Amore.” On the relevant 5ch thread, posters took it as a given that this song was the “spark” behind the group’s breakout, but debated what the real “reason” was for the support that followed. Opinions split between arguments centered on the group’s own strength — high-level singing, persuasive live performances, and a stable lineup lining up with the right song — and arguments pointing to external factors, like an industry atmosphere that had grown tired of the cutesy-idol formula.
What people said
Reason = "the underlying grounds or circumstances for why something happens or is the case"
Tsuganai was talking about this on the radio even before her TV work picked up — like what her counter-strategy would be if she ever got called onto a variety show.
https://www.nicovideo.jp/watch/sm38400982
But if you actually listen closely, Furuppa and Kyusuto (other idol groups) can all sing solidly too — it's not like Juice is THAT far ahead of everyone else.
https://video.twimg.com/ext_tw_video/1845779363280957440/pu/vid/avc1/1920×1080/284AXb2QU2PpAeGe.mp4?tag=14
Every group has a window like that, and it lasts around two years, but then the cycle of graduations tends to start up again. So it really comes down to how much luck is on your side during those two years — whether you get blessed with good material and the agency actually puts its weight behind pushing you. If that all lines up, any group has a shot.
Personally, I think Angerme also had a window to break out when Kamiko, Sasaki, and Take were all in the lineup together, and for Morning Musume, there was a window while Sato was still around. Luck, timing, how things line up — it really is tricky to pin down.
Angerme actually dropped big swing songs like "Ai no Kedamono" and "Bibitaru Ichigeki" right around that time, but they never took off.
Speaking of recent eras, I think Angerme around this period was ready, even though it was during COVID. Timing-wise, it really was an "it's happening!" moment.
https://stat.ameba.jp/user_images/20220617/22/angerme-ss-shin/fc/cc/j/o1080081015134406554.jpg
With clip videos from that time, you'd often see people who had no idea who the group was asking things like, "who's this, that three-way vocal break with Rika, Miko, and Take is so cool" — you don't really see that kind of reaction anymore…
Every group has that "it's happening right now!" moment, and all you can do is hope a great song comes along during that fleeting window.
The song landing was also the moment people got to see the group's actual skill — it made the CDTV staff want more people to know about this group.
Hear buzz about Moré Mi
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Watch the MV ("huh, so it's like this")
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Watch the Budokan live too since it's right there ("wait, isn't this actually amazing?")
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Watch the Fiesta Budokan live ("this group is insaneee")
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Fully hooked
That's the pipeline for me, a Moré Mi newcomer.
But if you actually watched their lives, the group was doing perfectly fine.
That final "Babyboon" was fantastic.
https://www.youtube.com/watch?v=MSsRK088f3E
Basically, if they'd been blessed with the right song and the promotion and timing had lined up, the group itself was already in good shape. So I think a lot of people were kind of let down by the agency's approach around that time — betting everything on a cover song.
In the end I guess a Latin-style song just happened to suit the current Juice lineup well. The city pop direction they'd been milking for so long was a miss.
As for the live performances, like people keep saying, Juice hasn't really changed from the old days — if anything, they sang better back when the original members were still around.
That's true, but it also matters that the cycle of losing a member every year finally stopped. Without a stable stretch of two or three years without departures, it's hard to really push the group — you can't properly hand out your "business card," because then people go, "wait, that's not who was on the card." From Yanamin's graduation in 2019 all the way up through Uemura, Juice lost someone almost every single year.
A graduation isn't just losing one member — it means losing someone with nine or ten years of accumulated skill and experience. If the group's lineup and new additions aren't properly balanced, the group's overall strength takes a real hit.
Well, Angerme from that era probably had better vocals and performances than JJ (Juice=Juice) does now.
Background and Key Points of This Discussion
Juice=Juice is a Hello! Project group formed in 2013 that has been known for its strong vocals from the start. Their 2024 song “Moré! Mi Amore” is considered the track that spread thanks to exposure on shows like CDTV and boosted the group’s overall profile. Where the thread split was on whether to treat the “spark” that triggered the hit separately from the “reason” support has continued since — some pointed to substance, like vocal skill and a stable member lineup, while others pointed to external circumstances, like other groups stalling out and viewers growing tired of the “cute” idol formula. That said, this kind of after-the-fact popularity analysis tends to lean on impression rather than proof, and nothing in the thread actually verifies how much each factor really contributed.
※This article is compiled as an excerpt and summary from the 5ch (Hello! Project) thread “Juice=Juice’s hit was sparked by “Moré! Mi Amore” blowing up — but what’s the actual “reason” Juice=Juice got popular?“




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